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Memorable Occurrences in Swedenborg's Writings

This list of Memorable Occurrences in Swedenborg's Writings was originally compiled by W. C. Henderson in 1960 but has since been updated.

स्वीडनबॉर्ग के कार्यों से

 

Doctrine of the Sacred Scripture #26

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26. 5. The Word’s spiritual meaning is granted after this only to someone who possesses genuine truths from the Lord. The reason is this: because no one can see the spiritual meaning unless he is enabled to do so by the Lord alone, and unless he possesses genuine truths from Him. For the Word’s spiritual meaning deals with the Lord alone and His kingdom, and that sense is the one possessed by His angels in heaven. It is, indeed, His Divine truth there. It is possible for a person to violate that truth if he has a knowledge of correspondences and tries to use it to explore the Word’s spiritual meaning in accord with his own intelligence. Applying some of the correspondences he knows, he may twist its meaning and use it to confirm even falsity, which would be to do injury to Divine truth, and to heaven as well. If someone tries to lay open that sense on his own, therefore, and not from the Lord, heaven is closed, and when heaven is closed, a person either sees nothing, or he becomes spiritually irrational.

[2] There is also another reason. Because the Lord teaches everyone by means of the Word, and teaches him in accordance with the truths the person already possesses and does not infuse new truths directly, therefore if the person is without any Divine truths, or if he possesses only a few truths and is caught up at the same time in falsities, it would be possible for him to use those falsities to falsify the truths — as is also commonly known to be the case with every heretic as regards just the Word’s literal sense.

Consequently, to keep people from entering into the Word’s spiritual meaning, or from twisting the genuine truth found in that sense, the Lord has set protections, meant in the Word by cherubim.

[3] That protections have been set was represented to me in the following way:

I was given to see large purses, looking like sacks, which had stored away in them a great deal of silver. Since they were open, it seemed as if anyone might take some of the silver deposited in them, even to make off with it. However, next to the purses two angels were sitting as guards. The place where the purses rested looked like a manger in a stable. In the next room I saw modest maidens, together with a chaste wife. Near that room were two little children, and I heard it said they were not to be played with in a childish way, but wisely. Afterward a harlot appeared, then a horse lying dead.

4] On seeing these images I was informed that they represented the literal meaning of the Word, which has a spiritual meaning within. The large purses full of silver symbolized concepts of truth there in great abundance. The purses’ being open and yet guarded by angels symbolized that anyone might draw concepts of truth there, but that people should take care not to falsify the spiritual meaning, which contains only truths. The manger in the stable where the purses were sitting symbolized spiritual instruction for the intellect. (A manger has this symbolism, because a horse, which feeds from it, symbolizes the intellect.)

5] The modest maidens I saw in the next room symbolized affections for truth, and the chaste wife the conjunction of truth and good. The little children symbolized the innocence of the wisdom in it (they were angels from the third heaven, all of whom appear like little children). The harlot together with the dead horse symbolized the falsification of the Word by many people today, by which all understanding of the truth has been extinguished. (A harlot symbolizes falsification, and a dead horse no understanding of truth.)

  
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Thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

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Conjugial Love #76

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76. The second account:

The next day the same angel came to me and said, "Would you like me to take and accompany you to the peoples who lived in the silver age or period, so that we may hear from them about the marriages of their time?" He also said that these people, too, could not be approached except under the Lord's guidance.

I was in the spirit as before, and I went with my guide. And we came first to a hill in the border region between the east and the south. Then, as we stood upon its slope, he showed me a far extended stretch of land, and we saw in the distance an elevation like that of a mountain. Between it and the hill on which we stood was a valley, and beyond that a level area, and after that a gently rising incline.

We descended from the hill to cross the valley, and here and there on each side we saw blocks of wood and stone carved into the shapes of people and various kinds of animals, birds and fish. So I asked the angel, "What are these? Are they idols?"

And he answered, "Not at all. They are figures representative of various moral virtues and spiritual truths. Among the peoples of this age there was a knowledge of correspondences. Since every person, animal, bird and fish corresponds to some quality, therefore each carving represents some aspect of a virtue or truth, and a group of them taken together represents the whole virtue or truth in a general, extended form. They are what in Egypt were called hieroglyphics."

[2] We continued through the valley, and as we entered the level area, suddenly we saw horses and chariots — horses with variously decorated harnesses and halters, and chariots variously shaped, some carved out like eagles, some like whales, and some like stags with horns, or like unicorns. At the end we also saw some wagons, and stables around at the sides. But when we drew near, both the horses and the chariots disappeared, and instead of them we saw people in couples and pairs, walking, talking and reasoning together.

The angel then said to me, "The various horses, chariots and stables — as they seem at a distance — are appearances expressive of the rational intelligence of the people of this age. For by correspondence a horse symbolizes an understanding of truth; a chariot, its accompanying doctrine; and stables, sources of instruction. You know that in this world, all things take on appearances according to correspondences."

[3] We went on by these things, however, and we ascended by a long incline, until at last we saw a city, which we entered. As we wandered through it, from the streets and public squares we observed its houses. They were all palaces, built out of marble. In front they had steps of alabaster, with columns of jasper on each side of the steps. We also saw temples made of precious stone the color of sapphire and lapis lazuli.

The angel said to me, "They have houses made of different kinds of stone because stones symbolize natural truths, and precious stones symbolize spiritual truths. The people who lived in the silver age all had their intelligence from spiritual truths and so from natural truths. Silver also has a similar symbolism."

[4] As we surveyed the city, we saw married couples here and there in pairs; and since they were husbands and wives, we waited to see if we would be invited in somewhere. Even as we had this in mind, moreover, as we were passing by, two of them called us back into their house. So we went up the steps and went in. Then, speaking with them on my behalf, the angel explained the reason for our coming to that heaven, saying that we had come to be instructed concerning marriages among ancient peoples - "you here being some of them," he said.

They then replied, "We come from peoples in Asia, and the focus of our age was the pursuit of truths, by which we acquired intelligence. This pursuit was the focus of our soul and mind. But the focus of our physical senses was on representations of truths in forms, and a study of correspondences combined the sensory interests of our bodies with the perceptions of our minds, gaining for us intelligence."

[5] Hearing this, the angel asked them to tell us something about marriages among them.

So the husband said, "There is a correspondence between the spiritual marriage, which is a marriage of truth with good, and natural marriage, which is the marriage of a man with one wife. And because we have studied correspondences, we see that the church with its truths and goods can by no means exist except in people who live with one wife in a state of truly conjugial love. For a marriage of good and truth in a person is the church in him.

"Consequently, we who are here all say that a husband is a form of truth, and his wife a form of good, and that good cannot love any other truth than its own truth, nor can truth love any other good in return than its own good. If it were to love another, the inner marriage that forms the church would die, and the marriage would become merely external — the kind of marriage that idolatry corresponds to, not the church. Therefore we call marriage with one wife a sacred union, but if it were contracted with more than one among us, we would call it a sacrilege."

[6] Saying this, he showed us into an anteroom outside the bedroom, which had a number of works of art on the walls and little images apparently cast out of silver. I then asked what they were.

They said, "They are pictures and forms representing the many qualities, attributes and delights which have to do with conjugial love. These ones here represent the unity of souls; these other ones, the conjunction of minds; the ones there, the harmony of hearts; those over there, the delights arising as a result."

While we were looking, we saw on the wall a kind of rainbow, consisting of three colors, purple, blue, and bright white. And we saw how the purple color passed through the blue and tinted the white with a purplish blue hue, and that the latter color flowed back through the blue into the purple and raised it into a kind of flaming radiance.

[7] Then the husband said to me, "Do you understand it?"

And I said, "Instruct me."

So he said, "The purple by its correspondence symbolizes the conjugial love of the wife; the bright white, the intelligence of the husband; the blue, the beginning of conjugial love in the husband's perception from the wife; and the purplish blue, which tinted the white, conjugial love then in the husband. This latter color's flowing back through the blue into the purple and raising it into a kind of flaming radiance symbolizes the conjugial love of the husband flowing back to the wife. Things like these are represented on these walls whenever we reflect on conjugial love, its mutual, progressive and simultaneous union, and then look closely at the rainbows exhibited there."

At this I said, "Things like this today are more than mysteries, for they are of a representational type, representing the secrets of the conjugial love of one man with one wife."

He replied, "So they are, but to us here they are not secrets, and therefore not mysteries."

[8] When he said this, a chariot appeared in the distance drawn by white ponies, and seeing it, the angel said, "That chariot is a signal for us to depart."

Then as we were going down the steps, our host gave us a cluster of white grapes with leaves from the vine still attached, and suddenly the leaves turned silver. And we took them away with us as a memento that we had spoken with people of the silver age.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

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